February 22, 2026: The Four Seasons

Northbrook Symphony
Ilya Kaler, violin and conductor

This concert will be approximately 1 hour 10 minutes with a 15-minute intermission.

Download program PDF (4.0MB)


Antonio Vivaldi (1678-1741)
Le quattro stagioni (The Four Seasons)

Concerto No. 1 in E major, RV 269, “La primavera (Spring)”
I. Allegro
II. Largo e pianissimo sempre
III. Allegro pastorale

Concerto No. 2 in G minor, RV 315, “L’estate (Summer)”
I. Allegro non molto
II. Adagio e piano – Presto e forte
III. Presto

—INTERMISSION—

Concerto No. 3 in F major, RV 293, “L’autunno (Autumn)”
I. Allegro
II. Adagio molto
III. Allegro

Concerto No. 4 in F minor, RV 297, “L’inverno (Winter)”
I. Allegro non molto
II. Largo
III. Allegro

Composed between 1716 and 1725, Antonio Vivaldi's Le quattro stagioni is a cycle of four concertos for solo violin and orchestra. Each is based on a sonnet with a narrative inspired by one of the four seasons - the poems' authorship is not known today, though their three-part structure mimicking the three movements of a Baroque concerto means they may be Vivaldi's own words. As was standard practice in Vivaldi's day, today's orchestra features a harpsichord, a keyboard instrument which makes sound by plucking strings with each key press.

The first concerto, “La primavera (Spring)”, may be some of the most recognizable music of all time. It has all the hallmarks of springtime: birdsong, rushing streams and thunderstorms. The sonnet reads, “Springtime is upon us. The birds celebrate her return with festive song, and murmuring streams are softly caressed by the breezes.”

“L'estate (Summer)” reflects intense heat and frightening storms. As with Spring, animals are a constant source of inspiration. The sonnet is a pastoral scene: “The shepherd trembles, fearful of violent storms and what may lie ahead... lightning's flash and thunder's roar, as gnats and flies buzz furiously around.”

“L'autunno (Autumn)” follows with renewed jollity after the intense heat of summer, and Vivaldi depicts the harvest time with dancing in the first movement, peaceful sleep in the second, and a lively hunt in the Finale. "The peasant celebrates with song and dance... The singing and the dancing die away as cooling breezes fan the pleasant air... The hunters emerge at dawn, ready for the chase, with horns and dogs and cries..."

Finally we reach “L'inverno (Winter)”. Here we fear the bitter cold, dangerous winds, and the darkness. Vivaldi depicts a brisk but enlivening chill, followed by cozy introspection by the fireplace and a frenzied display of the potential dangers of winter. “Shivering, frozen mid the frosty snow in biting, stinging winds... To rest contentedly beside the hearth, while those outside are drenched by pouring rain... We tread the icy path slowly and cautiously, for fear of tripping and falling.”

Program notes by Thomas Nickell.


Ilya Kaler
Violin and Conductor

Described by Gramophone as a “magician, bewitching our ears” for his hauntingly beautiful sound, flawless command of the instrument and mesmerizing phrasing, Ilya Kaler is the only violinist to win the Gold Medal at the Tchaikovsky Competition in Moscow (1986), the Sibelius Competition in Helsinki (1985), and the Paganini Competition in Genoa (1981).

Mr. Kaler has earned rave reviews for his solo appearances with orchestras throughout the world, including with the Leningrad, Moscow and Dresden Philharmonic Orchestras, Montreal Symphony Orchestra, the Danish and Berlin Radio Orchestras, the Moscow and Zurich Chamber Orchestras, as well as the Seattle and Detroit Symphony Orchestras.

He has released multiple highly acclaimed recordings for Naxos Records including solo music by Bach and Ysa.e; violin and piano pieces by Schumann, Brahms, and Taneyev; and concertos by Paganini, Shostakovich, Tchaikovsky, Brahms, Schumann, Dvořák, Glazunov, Szymanowski, and Karłowicz. As a member of the Tempest Trio, he has recorded the complete Dvořák piano trios for Naxos, and he has also recorded for Ongaku Records and Melodiya Records in Russia.

One of the most sought-after teachers in the world, Kaler is Professor of Violin at the Cleveland Institute of Music. He previously taught at DePaul University, the Eastman School of Music, and the Indiana University Jacobs School of Music. Ilya Kaler received his education at the Moscow Central Music School under Zinaida Gilels and at the Moscow State Conservatory under Leonid Kogan and Victor Tretyakov. Following his formal education, influence and inspiration came from his longtime mentor, violinist and teacher Abram Shtern.


Orchestra

Violin I
Vladimir Gebe, Concertmaster
Ben Koenig
Maya Shiraishi
María Paula Bernal
Ben Perez

Violin II
Irina Fatykhova, Keith & Kaori Williams Principal Second Violin Chair
Luis Vivas
Sara Oliva
Lorena Uquillas
Aasheeta Parikh

Viola
Christopher Kang, Principal
Nikray Kowsar
Megan Yeung
Gina Stonikas

Cello
Dan Klingler, Allen Nottke & Marcia Kirtland-Nottke Principal Cello Chair
Martin Nocedal
Rachel Hsieh

Bass
Julian Romane, Cindy & Terry Brady Principal Double Bass Chair

Harpsichord
Sun Chang

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March 8, 2026: Comfortably Classical II

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January 11, 2026: The Titan